HORSE CHESTNUT LEAF MINER

HORSE CHESTNUT LEAF MINER

£440.00 GBP
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HORSE CHESTNUT LEAF MINER

HORSE CHESTNUT LEAF MINER

Currently Available

2025, Graphite on Vintage Hayle Mill Paper

Unframed Dimensions: 30cm x 40cm (11.8in x 15.7in)

Framed Dimensions: 36cm x 46cm (14.2in x 18.1in)

Original work, signed by the artist. Accompanied by a certificate of authenticity, with the sale recorded in the artist’s archive.

PURCHASING OPTIONS:

Unframed: £440 plus shipping (quote on request)

Framed Price: £590 – presented in a bespoke, museum-quality frame

SHIPPING & TAXES

Shipping costs are calculated individually. A fully insured worldwide shipping quote can be provided upon enquiry once the artwork and delivery address are confirmed.

I offer fully insured worldwide shipping on all original artworks, using specialist fine art couriers to ensure safe, tracked delivery.

VAT & IMPORT DUTIES

I am not VAT registered, so VAT is not charged on purchases.
International orders may be subject to customs duties or import taxes, which vary by country.

FRAMED OR UNFRAMED SHIPPING OPTIONS

All artworks can be supplied framed, with museum-quality bespoke framing and secure crating for transport.

Certain works can also be shipped unframed if you prefer to use your own framer, or are shipping overseas and would like a more economical option. Unframed works are carefully packaged to archival standards and include professional framing guidance.

FRAMING

Unless stated otherwise, artworks are available unframed and can be purchased as such if you prefer to work with your own framer.

I also offer a bespoke framing service through Ro Frames, who take exceptional care in the handling and presentation of artworks. Using sustainable wood, museum-grade materials, UV-protective glazing, and conservation-standard, acid-free mounting techniques, each frame is crafted to preserve and enhance the work.

PAYMENT OPTIONS

To make collecting more accessible, I offer two ways to purchase artwork:

FULL PAYMENT
Payment in full secures the work and allows for prompt shipment.


INSTALMENTS
Monthly instalments can be arranged, with shipment following receipt of the final payment. A simple contract will be provided to protect both parties.

Please specify your preferred payment option when making your enquiry.

About the Work

I have been working weekly through my Journal de Bord series for several years—an ongoing practice rooted in real-time observation, much like a captain's log. This approach is inspired by the Japanese shichijni ko calendar, where each micro-season lasts only a few days. Nature is constantly changing, and I strive to capture those fleeting moments before they vanish.

This piece is part of my Journal de Bord series, shared with my catalogue subscribers each week. In this entry, I reflect on what I observed in nature, how the piece unfolded, and the specific moment that inspired the work. Below is the journal entry to go alongside this artwork.

Entrée n° 79

Lately, I’ve been noticing how the heat is shaping the plants around me, and I was drawn to a strange pattern emerging on the leaves of the horse chestnut. At first, I assumed it was caused by sun scorch—but when I looked more closely, I discovered it was the work of the horse chestnut leaf miner moth. Its larvae burrow between the layers of the leaf, creating intricate networks that start yellowing, then browning as the damage spreads. By mid-summer, entire leaves can be covered in these fragile, fraying marks.

While the moth's impact can be quite destructive, I find there’s a beauty in these forms. I’ve always been interested in documenting plants that are in some way altered—by disease, insects, or weather—because they reflect the shifting, often fragile relationship between life and its conditions. These natural disruptions create almost abstract patterns, and they tell a story of a trees vulnerability.

This particular piece is drawn in graphite onto handmade Hayle Mill paper—one of the last sheets I have, as these types of papers are no longer made. The paper itself holds history, and I’m drawn to how its soft surface allows me to draw with clarity. It feels fitting to pair a disappearing material with a disappearing leaf. I get my frames made bespoke with a open plywood frame to add another layer of craftsmanship to the piece. 

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