COPPER BEECH IN MAY

COPPER BEECH IN MAY

£3,360.00 GBP
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COPPER BEECH IN MAY

COPPER BEECH IN MAY

Currently Available

2023, Sumi Ink on Italian Paper

Unframed Dimensions: 90cm x 84cm (35.4in x 33.1in)

Framed Dimensions: 96cm x 92cm (37.8in x 36.2in)

Original work, signed by the artist, accompanied by a certificate of authenticity, with the sale recorded in the artist’s archive.

PURCHASING OPTIONS:

Unframed: £3,360

Framed: £3,710  – presented in a bespoke, museum-quality frame

SHIPPING & TAXES

Shipping costs are calculated individually. A fully insured worldwide shipping quote can be provided upon enquiry once the artwork and delivery address are confirmed.

I offer fully insured worldwide shipping on all original artworks, using specialist fine art couriers to ensure safe, tracked delivery.

VAT & IMPORT DUTIES

I am not VAT registered, so VAT is not charged on purchases.
International orders may be subject to customs duties or import taxes, which vary by country.

FRAMED OR UNFRAMED SHIPPING OPTIONS

All artworks can be supplied framed, with museum-quality bespoke framing and secure crating for transport.

Certain works can also be shipped unframed if you prefer to use your own framer, or are shipping overseas and would like a more economical option. Unframed works are carefully packaged to archival standards and include professional framing guidance.

FRAMING

Unless stated otherwise, artworks are available unframed and can be purchased as such if you prefer to work with your own framer.

I also offer a bespoke framing service through Ro Frames, who take exceptional care in the handling and presentation of artworks. Using sustainable wood, museum-grade materials, UV-protective glazing, and conservation-standard, acid-free mounting techniques, each frame is crafted to preserve and enhance the work.

PAYMENT OPTIONS

To make collecting more accessible, I offer two ways to purchase artwork:

FULL PAYMENT
Payment in full secures the work and allows for prompt shipment.


INSTALMENTS
Monthly instalments can be arranged, with shipment following receipt of the final payment. A simple contract will be provided to protect both parties.

Please specify your preferred payment option when making your enquiry.

About the Work

I have been working weekly through my Journal de Bord series for several years—an ongoing practice rooted in real-time observation, much like a captain's log. This approach is inspired by the Japanese shichijni ko calendar, where each micro-season lasts only a few days. Nature is constantly changing, and I strive to capture those fleeting moments before they vanish.

This piece is part of my Journal de Bord series, shared with my catalogue subscribers each week. In this entry, I reflect on what I observed in nature, how the piece unfolded, and the specific moment that inspired the work. Below is the journal entry to go alongside this artwork.

Entrée n°41

This week, I wanted to focus on the everyday trees that grow alongside the road — those so often overlooked. There is a striking copper beech I pass on my way into town. Standing alone, it possesses a quiet majesty that draws you in — something it might lose if surrounded by the density of a forest.

As I walked home with my cuttings, ready to paint in the studio, the sun broke through and cast the plant’s shadow across the path. That simple moment — light catching form — has long been a quiet source of inspiration in my work.

The photograph of the framed painting shows a beech I painted in late September. I often revisit earlier works to reflect on how I have previously captured a particular tree family and to observe how they shift with the seasons. I am always interested in painting what is directly in front of me, noticing how it differs — month to month, stage to stage.

In this piece, I focused on the softly wobbled edges of the leaves, still tender in their growth. One detail that stood out was the seed heads, clinging to the branches — for now. Give it a week, and I am sure they will be gone.

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