WINTER BEECH 2

The journey for these etchings began in 2018, when I was exploring shadows in my painting practice. I wanted to focus on light and how it interacts with dark, translating that dialogue into my etchings.

Etching is one of the oldest and most revered forms of printmaking, with roots stretching back to the 16th century. It was first used by artists in Germany and Italy, and quickly adopted by masters such as Rembrandt, whose etchings demonstrated the extraordinary subtlety and depth this technique could achieve. Over centuries, etching has been passed down through generations, each artist learning to interpret the technique in their own distinctive voice.

In my practice, I use a photographic process to capture natural forms—branches, leaves, trees—and translate their silhouettes into etched plates. Each print is made on Hahnemühle paper, a German mill renowned for its archival quality since 1584, ensuring every etching stands the test of time.

These are limited edition etchings—only 25 per design, never to be reprinted. Once they’re gone, they’re gone.

Consider these entry-point collector pieces, a way to begin a meaningful collection of my work without committing to larger pieces. Each etching is printed by hand, making them all slightly unique. 

The inspiration behind these works came from a verse in a hymn:

Let there be light
Where there is darkness
Let there be hope
When there is none
Let there be peace
In the midst of sorrow
Let there be love
To bring us back home

These words stayed with me as I made these pieces—an offering of light, presence, and peace in a time when many of us are searching for those very things.