My charred works explore the geology of the United Kingdom through fire, material, and place. Using stones gathered from significant sites, I create abstract compositions by arranging them on wood and charring their forms into the surface. The stones do not burn; instead, they leave behind silhouettes — “footprints” that record their presence and origin. I am interested in creating abstract forms shaped by nature itself, allowing heat, grain, and mineral structure to guide the final composition.

This ongoing series draws on locations I visit due to their unique geological structure. The pieces are preserved using the Japanese technique of Shou Sugi Ban, where charring enhances the wood’s texture and durability while protecting it for generations.

The bespoke frames are charred by the framers, allowing them to become an integral extension of the work.